Anne duCille argues that reading Their Eyes Were Watching God as a novel that celebrate heterosexual love or sisterhood and acquiring female independence is to underread and oversimplify the novel. She instead believes that the novel is about powerlessness, power, submission, self-fulfillment, silence, and voice. I agree with her reading of the text. Not only does the novel entail perspective on sisterhood and relationships between men and women, but it also draws attention to how the two function in a male dominated society. Anne duCille is making a point that the context in which Janie tries to find self-fulfillment and love is just an important part, if not more, of understanding the message or intent of the novel.
I, however, disagree with the rejection of Susan Willis’ reading of Janie and Pheoby friendship and the value that it has. Susan Willis believes that the novel has a point where they highlight the value of female friendship in dealing with a patriarchal society. She mentions the passage where Pheoby feels that the conversation with Janie has inspired her to have agency and not be silent about what she desires, in her relationship in particular, saying, “Ah means tuh have Sam take me fishing wid him after this.” duCille rejection of this idea speaks to the way that feminism excludes women who believe in the equality of women, but still hold men to some importance. duCille argues against Willis’ because she believes that if Willis’ reading was true, Pheoby would have asked that Janie be fishing with her. In my reading of this passage, I believe that Susan has a valid reading, because it is possible to have female friendship and still want to have a relationship with a man despite the patriarchal society that we live in. The passage where Janie says that , “..mah tongue is in mah friend’s mouf,” indicate the closeness of their relationship. Janie and Pheoby’s friendship is not obsolete because Pheoby is not the one that Janie thinks of at the end of the novel or because Pheoby doesn’t ask Janie to go fishing with her. Subversive sisterhood, considering Pheoby’s inspiration to have agency from the conversation that she has with Janie and considering the language between them to understand the intimate nature of their friendship, is just as much a theme in the novel despite the fact that it still allows Pheoby and Janie to include men, and that’s ok.
duCille highlights the idea of forgetting and remembering that is mentioned at the beginning of the novel and uses that to make the point that the novel undermines the problem of patriarchy by having Janie continuously seek love from men despite the way that they oppress her as participants and believers in a patriarchal ideology, and I will have to disagree. The novel acknowledges the problem and rejects it through Janie. Janie is not content with the power that the men in her life attempts to exert over her, and she tells them so. She does not tolerate it, because she leaves the men that do not understand her attempt to help them to see the problem with their expectations of her, which stem from a male-dominating ideology. She does continue to want to be with a man and it’s ok for her to continue to want to find a man who is in opposition with this ideology as she is.
duCille makes some great points about making sure to consider context to understanding the entire intent of the novel, but falls short when it comes to understanding what the bare bones of the novel — the things that are happening in the novel that are readily noticeable to a non-feminist reader — along with the meat — the patriarchal context in which everything is happening — means.
Octavia, you make some great points about the nature of Phoeby and Janie's relationship. I read it the same way you did; I did not see Phoeby's wanting to talk to her husband after as a bad thing at all; because she still cares for her husband does not invalidate the friendship between her and Janie. As well, I would be more inclined to agree with duCille's reading if Janie passively accepted the way the men in her life treated her, but she does not do that. She is an active participant in her relationships. While she still has to navigate them through the patriarchal society she has been brought up in, she does not stop searching for someone who will care for her outside of these rigid roles.
ReplyDeleteOctavia, I really enjoyed reading your post and seeing your viewpoint on the DuCille piece. I'd like to focus my comment on DuCille's "patriarchy" argument, which you alluded to towards the end of your response. First, I believe that Their Eyes Were Watching God is a unique depiction of a strong, confident woman who shows her agency and courage in various ways throughout the novel. The variation in her oppressors does not change her desire or her free will. Her full name, Janie Crawford Killicks Starks Woods, alone is a testament to her strength and her adaptability. Her grandmother, Logan, and Jody represent the system of patriarchy that Janie must conquer. With her grandmother, I feel she fails. She accepts her fate and marries a man she does not love. However, in her first two marriages, I believe she exerts a quiet sort of dominance (which can be misconstrued as passivity) over her oppressors.
ReplyDeleteHowever, I must agree with DuCille's point that Janie does not actually escape the patriarchal society in which she resides. The narrator seems to shield us from her reality at times, as DuCille points out how much the narrator needs us to "love" Tea Cake, even when he is physically abusive. What should be seen as a liberating act (Janie marrying Tea Cake) is actually just another example of ways love manipulates women into participating in the system. For example, in the end, when Tea Cake bites Janie, that act symbolizes that Janie will never be safe, will never escape, will never fully defeat patriarchy. The one "that was different than all the rest" seemed to die in the same fashion as the oppressor before—hating Janie and leaving her broken. This cycle is further illuminated through the reality that Janie returns to her home with Jody, her second male oppressor, to pick up all of her pieces. In conclusion, I am more likely to support DuCille's hypothesis, although I think you had strong points as well.